The Beginning of My Journey

An Introduction

Good afternoon dear readers. I am aware that the blog at this moment looks ugly, and there will be improvements made to it in the coming weeks once my classes are concluded. A little bit about myself; I am a fan of entertainment, not really something that is all that unique or mind blowing about a person. However, I feel I have a lot to say about certain types of entertainment, whether it'd be music or comic books or films or a whole plethora of other topics. I will describe myself as passionate, someone who knows a great deal about what he is talking but is always willing to open himself to new pieces of information or new types of genres or styles that he has not heard of or experienced.

Some of you who will read this may know me as Professional Elite Overlord on Twitter; my real name is Ian. A lot of you know that one of my biggest passions is music, especially metal, and that I have been doing retrospectives of bands on my profile (almost done with a second one). This is where I will put new retrospectives from now on, so as not to bury my writings with daily Twitter posts. Nothing further to say, but expect album reviews, band and solo artist retrospective, comic book discussions, and movie reviews whenever I feel inspired to do them. I hope that many of you will stick around with me on this project as I have a lot of great ideas that I think many readers will enjoy.

Until then, take care and I'll see you around.

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Rush Retrospective Part 13: Presto (1989)

Rush hit a tiny speed bump in their career, it was only a matter of time. Luckily, this creative misfire wasn’t even close to stopping Rush’s creative output and in 1989, as the eighties were nearing their conclusion, the band released their final record in the decade that showcased them at their most prolific and creative. With a switch to a new record label, the legendary Atlantic Records, and a new producer at the helm, Rupert Hine, the band was ready to close out the decade in a strong fashion. The big question though was if the trio was going to learn from the mistakes that plagued “Hold Your ”? The answer:...kind of… The album opens with “Show Don’t Tell”, and it kicks off with Alex Lifeson delivering a nice crunchy riff, and it shows the band kind of returning to stronger guitar presence, or at least one that isn’t as clean as what was exhibited on previous releases. There are still keyboards on this track, and on the album as a whole, but they seem to be scaled...

Rush Retrospective Part 15: Counterparts (1993)

Approaching the Alien Shore The year is 1993. If the eighties were a big shake up in the music landscape for Rush, it was nothing compared to this section of the nineties. To give clarity, only two and a half weeks after the release of “Roll the Bones”, on September 24th, 1991, a little band in Seattle released their sophomore album: “Nevermind”. To say that this record was a shake up for the rock world would be a gross understatement, almost single handedly pushing the rock genre into a new era. With this shakeup, how would Rush be able to compete in this landscape of grunge and alternative rock? Would they fail to rise up to the challenge as many legacy acts succumb to at this time? The answer: ...a resounding hell to the no. To assist them in the project, the band entrusted the help of producer Peter Collins, the man who worked with them in the past on “Power Windows” and “Hold Your Fire”. With this change, “Counter...

First Major Project

This Upcoming January The "World's Biggest Cult Band"; a band whose fans are compared to Trekkies on the level of their devotion; a band that made you want to read works of Ayn Rand. Whatever the title they are given, they are one of my favorite bands of all time. Complex but catchy, serious yet always with a sense of humor, a power trio unlike any other, Canada's most famous rock exports, the immortal titans: Rush! Starting off as a hard rock band that took major influence from bands the likes of Led Zeppelin and Cream, the band grew to heights that were thought impossible for a rock band of their type at the time. They were never one to follow trends, never one to take the easy way out with their sound, always willing to expand and push their abilities while still remaining true to their identity. Terminally uncool was a popular insult to throw against the trio during their career but time has proved fatal to that notion. Never has the band been...

Metallic Observer

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